The only risk as we get more stylized in our graffiti writing is that the images become a bit more abstract. The use of shadow letters takes the one-dimensional surface, and pushes the piece out toward the viewer.įat Cap: Just as they sound-writing from a fatter (wider) orifice on the actuator (basically, paint comes out of the can through a bigger hole). Shadow Letters: These give depth and perspective to either bubble or block letters. Here are some of the basics:ĭrips: These mimic the heavy spray of a can. They add movement and gravity to the piece. Many effects are added to basic tags and throw ups to give them more magnitude and animation. ![]() They utilize bubble letters, and include two or three colors for outline, fill color, and shadowing. Bombs are basically like tags, with the sides blown out. No, it’s probably not what you think from the subheading. We’re talking about another general style that is a bit more ornate than a tag. ![]() So began the brand and recognizable logo that exist today. He soon began putting this logo onto t-shirts, hats, and other apparel and selling it out of his car. Stussy and his assistant Christian Anicete began selling custom-designed surfboards in the early 80s, each of which Stussy signed with a wide-tipped marker. Renowned streetwear brand Stussy‘s logo is actually the signature of the brand’s founder, Shawn Stussy. Although the tag style is composed of letters, it becomes an icon for the artist-a calling card, a signature, a brand. That is its origin. Tagging is a quick and basic stylized form, but it’s not just a novice’s attempt at vandalizing a high school bathroom stall. The tag style is Graffiti 101-consider it like learning how to write your name. OptionsĪs long as you promise to keep it legal, Rush Order Tees has compiled some examples and descriptions for some of the coolest, most dynamic graffiti styles available. As styles change from artist to artist, we are featuring a few of the basic stylistic forms inherent in all graffiti writing. From brick walls to train cars, the beating life behind graffiti writing captures more attention than Times New Roman and Calibri. The canvases of graffiti artists are often larger than the front of a t-shirt, but the dynamic lettering is still effective when scaled down. Tagging, bombing, or whatever it is you call graffiti writing, is attention-grabbing. Most graffiti letterings take the ornate, but slightly stuffy style of calligraphy, and humanizes, animates, and exaggerates it into a voluminous, pulsing writing that borders on iconography. ![]() Many online articles and books on the subject trace the origins of modern American graffiti writing back to the 1960s-some even to the streets of Philadelphia (the home of Rush Order Tees). What could be better for your design than the artform that developed out of man’s need to leave his mark, capture attention, and depict a message? Here’s our guide to graffiti fonts that you can use in your own designs: Just another font? The clandestine, illegal, and sometimes gang-related origins of modern graffiti and street art make it taboo to much of the art world, but in recent decades, the form has transcended the realm of crime into city-funded beautification programs, marketing campaigns, and is now recognized as a bonafide art form. But our modern use of the root in “graffiti,” has a much greater context. The Greek word, graphein, means to write. But the intent of graffiti has never changed: “I exist! Look at me!” In many ways, graffiti is humankind’s earliest attempt to leave its mark on the world. By some accounts, we’ve been doing it for nearly 40,000 years. From the charcoal briquettes and crude tools of the prehistoric peoples of North America, ancient Egyptians, and the earliest manmade art in the caves of Indonesia, it has been a long road to the Sharpie markers and Krylon cans of modern man.
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